Recent Acquisition Highlight: Companions of the Forest Membership Certificate

 

The Scottish Rite Masonic Museum & Library recently purchased a striking membership certificate issued by Pride of Flushing Circle, No. 437, to Amanda Karlson on June 19, 1901. The Pride of Flushing Circle was a part of the Companions of the Forest, an auxiliary organization to the Foresters of America. Companions of the Forest met in chapters called “circles” and the Foresters of America met in chapters called “courts.” The Foresters of America traces its roots to a British fraternal organization called the Ancient Order of Foresters. The organization drew on imagery of Robin Hood and the Bible, particularly the Garden of Eden. This can be seen in the forest scenes and the garland of red roses and blue flowers, potentially blue bells, on the membership certificate.

The Companions of the Forest was established on June 7, 1883, with the motto “Sociability, Sincerity, and Constancy.” The organization was open to white men and women between the ages of eighteen and fifty who were Foresters or the wives or “lady acquaintances” of the Foresters of America. The Companions of the Forest sought “to improve members morally, socially, and mentally” and provided sick and death benefits. Within the first ten years of the organization’s founding, there were 20,000 members in the United States.

The organization was patriotic. This can be seen in the eagle and American flag imagery in the certificate, as well as in the way that they opened their meetings by reciting the Pledge of Allegiance. During initiation, the new members pledged to “honor the flag…and to glorify it.” This patriotic fervor was common in many American fraternal organizations at the time, and reflected the nationalism, assimilationist, and anti-immigrant sentiment that could be found in American society in the early twentieth century. The Companions of the Forest funneled this patriotism into the aim of world peace with the United States leading the way. A prayer included in a 1929 ritual book stated, in part, “as men in their expression enlist for war, so must woman in their natural spirit of protection enlist for peace.”

Although we have not yet discovered much about Amanda Karlson, who received this certificate, there are some traces of the Pride of Flushing Circle, No. 437, found in newspapers. The Pride of Flushing Circle, No. 437, was established in 1898 with a founding membership of twenty-three in Flushing, New York. The Time Union newspaper noted the successful and popular events hosted by the Circle. The paper stated that "the circle lays great stress upon its beneficial features. In the case of sickness of members they receive $5 a week during their illness. A death benefit is also given at the death of either a member of her husband.” The last mention of the organization in the newspaper was a notice for euchre night, a trick taking card game, on February 2, 1910.

These organizations acted as a social outlet and safety net for women in the nineteenth and twentieth centuries. For the Companions of the Forest, this sentiment is emphasized in an 1896 ritual book, which states “our circle represents the home circle, where mutual aid and interest in the welfare of each member hold supreme sway…with the parties and sects of the world we have nothing to do, its disputes and factions we leave behind us. We meet as a family, made so by sociability, sincerity, and constancy.” You can learn more about the Companions of the Forest at the Van Gorden-Williams Library & Archives.

 

Photo caption

Membership certificate issued by Pride of Flushing Circle, No. 437, to Amanda Karlson, 1901 June 19, Museum purchase, A2024-029-001.

 

References

Constitution and General Laws of the Supreme Circle of the Companions of the Forest (Detroit, MI: John R. Burton, 1883).

Supreme Chief and Supreme Secretary, Companions of the Forest; ritual containing the opening, closing and initiatory ceremonies, also the installation, institution and funeral ceremonies. Together with diagrams of the floor work, (Detroit, MI: A. W. Brookes, Detroit, 1896).

Annie E. Poth, Ritual: Companions of the Forest, (Supreme Circle, 1929).

Flushing Secret Societies: A Fruitful Ground for Fraternal Organizations, Time Union, September 1, 1900

The Rise of Youth Organizations: Newly Acquired Juvenile Branch Charter of Grand United Order of Oddfellows Juvenile Branch

At the Scottish Rite Masonic Museum & Library, there are incredible collections in the archives, but they are not often visually interesting. Occasionally, however, archival materials in our collection are both historically fascinating and beautiful. We recently acquired this Juvenile Branch, No. 44, charter of the Grand United Order of Odd Fellows, which checks both boxes. It is a stunning as well as an important testament to Black life and culture in Danville, Kentucky.
The Grand United Order of Odd Fellows was, at one time, the largest Black fraternal order in the United States. In 1843, Peter Ogden and several other Black men were rejected from the white Independent Order of Odd Fellows. After receiving a charter from the Grand United Order of Odd Fellows in England, they founded Philomathean Lodge, No. 646, and started the American branch of the Grand United Order of Odd Fellows, a Black organization unlike its originator in England. The Juvenile Branch began on September 13, 1897, when the first warrant was granted to the Household of Ruth, No. 29, in Washington, D. C. The juvenile branches, which operated under the supervision of the Household of Ruth, the women’s auxiliary order established in 1858, were open to children, from the ages of three to sixteen, regardless of whether their parents were a part of the Order. The Grand United Order of Odd Fellows celebrated the fourth Sunday in September as “Children’s Day.”

The charter for Juvenile Branch, No. 44, acquired by the Scottish Rite Masonic Museum & Library, features rich art with red, white, and blue American flags surrounded by pink roses and detailed images of three women, embodying the Odd Fellows’s motto, “Friendship, Love, & Truth,” which is written in Latin on the banner below the women. The woman sitting on a pedestal atop the Odd Fellows coat of arms looks lovingly down at the two naked toddlers in her arms and the two young children at her knees. The woman on her left stands looking at the scene with a sword in her left hand and a scale in her left. The woman on the right looks into a shining mirror and holds the Rod of Asclepius associated with healing and medicine. The charter was designed by the Grand Secretary, Charles H. Brooks, and was printed in Bradford, England, demonstrating a continuing close relationship with England. It should be noted, as well, that the women and children that Brooks designed are white. Why would the Grand United Order of Odd Fellows, a proud Black American organization, use white woman to represent friendship, love, and truth? The vivid bright colors and the large size of the charter (24” x 17”) mark the charter as a showpiece that was meant to be displayed prominently. Did this charter once hang framed at the lodge? Or was it brought out only for special occasions?

Juvenile Branch, No. 44, was under the direction of the Household of Ruth, No. 59, located in Danville, Kentucky and was established on March 22, 1898, only six months after the first Juvenile Branch was founded. It is striking that in those six months, forty-four juvenile branches were formed. Not much is known about this Juvenile Branch or the Household of Ruth, No. 59. The five women listed as members of the Household of Ruth branch, Bessie B. Shain, Paulina Langford, Ann Word, Georgiana Allen, and Agnes Green, all seemed to be part of the working class—respectably married, and in their thirties and forties with children. Langford was a carpet sewer, Allen was a cleaner, and Green worked in the laundry business. Did they form the Juvenile Branch for their children and their communities’ children to bring them more fully into the fold and involved with the Grand United Order of Odd Fellows?

Around the turn of the century, the Grand United Order of Odd Fellows’s membership was greatly increasing and from 1897-1898, the organization issued six hundred and sixty-five warrants for new branches. This Juvenile Branch was part of the shifting movement to bring the whole family into the fraternal order which reached its peak in the 1910s and 1920s with the popularity of youth organizations such as DeMolay. The Juvenile Branch, No. 44, charter documents the early growth of youth organizations and the spread of the Grand United Order of Odd Fellows in Kentucky.

 

Caption:

Grand United Order of Oddfellows Juvenile Branch, No. 44, charter of the Household of Ruth, No. 59, 1898 March 22, Museum purchase, A2023-135-001.

 

Resources

Needham, James F. General Laws and Regulations of the Household of Ruth. Philadelphia, PA: Sub-Committee of Management, 1923.

Brooks, Charles H. The Official History and Manual of the Grand United Order of Odd Fellows in America: A Chronological Treatise. Philadelphia, PA: Sub-Committee of Management, 1902.

Now on View: From Head to Foot: Fraternal Regalia Illustrations

In the 1800s and 1900s selling regalia and costumes to fraternal groups became big business. Regalia companies seeking to attract customers produced richly illustrated catalogs and colorful advertising material to highlight the costumes and uniforms they manufactured. The artwork and advertising material in the Scottish Rite Masonic Museum & Library’s new exhibition, “From Head to Foot: Fraternal Regalia Illustrations,” were produced by the Cincinnati Regalia Company (1895-1998), of Cincinnati, Ohio, and the Ihling Bros. Everard Company (1869-1995), of Kalamazoo, Michigan. These regalia makers, along with others, produced uniforms, regalia, and accessories for Masons, Shriners, Elks, and additional fraternal groups. These items can help us better understand how companies marketed and sold fraternal regalia between 1900 and 1980.

The number of Americans who were members of fraternal groups grew to millions by the beginning of the 1900s. Regalia companies attempted to outfit this large consumer base with everything they needed, from head to foot, as advertised in this flyer. Ihling Bros. Everard Company offered many types of Shrine regalia to appeal to two national Shrine organizations, the Ancient Arabic Nobles of the Mystic Shrine, with 87,000 members by 1904, and the Ancient Egyptian Arabic Nobles of the Mystic Shrine, which had established more than sixty temples across the US by the start of World War I. Shrine organizations took inspiration from traditional Middle Eastern clothing for their ritual and regalia. That taste is illustrated in this flyer by the turban, wide-leg pants, and curved-toe shoes worn by the model.

Some of the artwork displayed in this exhibition was created to be reproduced in catalogs. This illustration, for example, appeared in an Ihling Bros. Everard Company catalog, printed around 1970, that featured costumes and accessories for the Knights Templar. This group, part of the York Rite of Freemasonry, draws inspiration from the crusading knights of medieval Europe. This model is presented in a “Pilgrim Warrior” costume, which, in addition to a pointed helmet, a sword, and a cape, included a full suit of what Ihling Bros. Everard Company called “armor cloth.” This cloth was patterned to look like scale mail, protective metal clothing worn by medieval knights and soldiers. These catalogs, printed in black and white, featured a variety of items, including hats, shoulder braid, jackets, pants, robes, tights, and shoes. Catalogs were used by fraternal groups to order uniforms and regalia for their members to wear for meetings, ritual work, parades, and other activities.

Some of the colorful illustrations, like the one shown here from the Cincinnati Regalia Company, were sent to customers to present color and design variations to supplement the black and white images in catalogs. Regalia companies served both women’s and men’s organizations and produced catalogs specifically designed for women’s organizations which displayed the regalia and costumes of particular orders. Because of the distinct American flag-inspired design of this costume, it was likely created for a group with a patriotic agenda, such as the Daughters of America, a Junior Order of United American Mechanics women’s auxiliary.

These attractive advertisements offer insight into the vibrant regalia industry during the 1900s. This exhibition will be on view at the Scottish Rite Masonic Museum & Library until July 26, 2024.

A United Order True Sisters Anniversary Medal

United Order True Sisters Medal, ca. 1946. Gift of Clara W. Gnerre on behalf of Noemi No. 11. 91.032.1

The face of this round medal bears an embossed wreath which curves around the black enamel letters U, O, T, and S. These initials represent Unabhängiger Orden Treue Schwestern or United Order True Sisters, a German Jewish fraternal group which was the first independent national women’s organization in the United States. The group – sometimes known as the United Order of True Sisters - was founded in New York City in 1846 and became known for their charitable fundraising for cancer patients and children’s hospitals after World War II. The Scottish Rite Masonic Museum & Library cares for a small collection of UOTS items, including this medal, which is connected to a fascinating Massachusetts woman.

The items in this collection were donated by Clara Cecile Wagner Gnerre (1920 - 2005) on behalf of her UOTS chapter, Noemi No. 11. This chapter was founded in 1878 in Boston, Massachusetts – the eleventh UOTS lodge in the country - and like its sister chapters in other states, sought to provide Jewish women with a sense of identity, purpose, and community. Due to anti-German sentiment during World Wars I and II and American antisemitism throughout the nineteenth and twentieth centuries, women who joined UOTS may not have felt welcome in other fraternal orders. As past museum Assistant Director Barbara Franco has written of Jewish fraternal orders, “The rites, regalia, and mottoes of these organizations, based on Freemasonry and Odd Fellowship, offered an American aura that might be denied Jews elsewhere.”

United Order True Sisters Medal, ca. 1946. Gift of Clara W. Gnerre on behalf of Noemi No. 11. 91.032.1.

The reverse of the medal reads “PRESENTED AT THE CENTENNIAL ANNIVERSARY 1846-1946”. To commemorate their one-hundredth anniversary, UOTS chapters produced souvenir medals like these, as well as centennial calendars and other ephemera. A February 1946 article from the Daily Argus (Westchester, New York) shows the kind of activities UOTS chapters were involved in that year. Activities included mahjong games, luncheons, educational lectures, and Red Cross sewing drives. The United States Treasury Department awarded a citation to Westchester No. 34 for raising nearly a quarter of a million dollars in war loan drives. After the war, in 1947, the UOTS formed a National Cancer Service initiative. This program funneled members’ fundraising skills and largesse towards medical charities.

Clara Wagner – later Clara Gnerre - was a member of Noemi No. 11 for forty years. She graduated from Girl’s Latin School in 1937 and attended Radcliffe College, where she graduated cum laude with a degree in chemistry in 1941. If she was a member of Noemi in 1946, she may have received this souvenir UOTS medal when it was first issued, when she was 26 years old.

She worked first for Carbon Black Co. as a rubber chemist and was employed there in 1950 when she married her husband C. Gerald “Jerry” Gnerre. A January 1954 Boston Globe article described her as a “research chemist and rubber technologist” at Godfrey L. Cabot, Inc. Research Laboratories on Cambridge’s “Research Row.” Gnerre was, at the time, one of few women working in industrial materials research and development, a growing field post-World War II in Cambridge.

In the 1980s, Gnerre became more active in Noemi No. 11, serving as its Recording Secretary in 1986 and President from 1987 to 1988. At this time, the chapter focused on fundraising for cancer services and children’s care at Boston’s Children’s and Massachusetts General Hospitals. At Noemi’s 110th Annual Luncheon, Gnerre was praised for her “warmth, encouragement, and good humor.”

After 111 years as a United Order True Sisters chapter, Noemi No. 11 dissolved in 1989. Perhaps inspired by a 1983 chapter visit to the then-eight-year-old Scottish Rite Masonic Museum & Library, Gnerre first donated a collection of material from the chapter to the museum in 1991. This medal was the first item that she donated. Over the next five years, Gnerre and other women from Noemi No. 11 donated UOTS material to the Scottish Rite Masonic Museum & Library, as well as to other historic repositories (see link below).

Clara Cecile Wagner Gnerre died in August 2005. Her Boston Globe obituary reads: “In lieu of flowers, donations may be made to The United Order of True Sisters, Inc. . . . where she was a member for 40 years and past President of a local chapter (Noemi Chapter 11) or to a cancer organization of your choice.” Gnerre ably represented the United Order True Sisters and their philanthropic goals to the last.

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Further Reading:

• United Order True Sisters Noemi #1 Records at Wyner Family Jewish Heritage Center, New England Historic Genealogical Society

New to the Collection: Sparkling Fraternal Style

Menelik Court No. 53 Fez. Cincinnati Regalia Company, Cincinnati, Ohio. Museum Purchase, 2022.067.

On the last day of Black History Month, we’re taking a look at a fascinating fez from an African American women’s order with an intriguing history.

The group, known as the Imperial Court, is an auxiliary to the Ancient Egyptian Arabic Members of the Nobles of the Mystic Shrine. The A.E.A.O.N.M.S., founded in 1893, is dedicated to the welfare and extension of Prince Hall Freemasonry. Its women’s auxiliary was founded in 1910 in Detroit, Michigan. The Imperial Court boasts more than nine thousand members in more than two hundred courts throughout the United States, as well as Canada, Bahamas, U.S. Virgin Islands, Korea, and Western Europe. According to the Imperial Court website, the group “recognizes and celebrates the historic and current achievement of African American women . . .”

Members are known as Daughters and their regalia includes ceremonial collars worn with white dresses, shoes, and gloves, along with white fezzes or crowns. A Daughter serving as the Court’s current Imperial Commandress, its highest office, wears a crown in lieu of a fez. Members’ fezzes bear the name and number of the owner’s court and a stylized profile view of the Egyptian goddess Isis. If the Daughter served as an Illustrious Commandress, her fez will bear the title Past Illustrious Commandress.

This fez was once owned by a member of Menelik Court No. 53, in Oakland, California. This court was founded in 1922, only a dozen years after the national organization was established. The court celebrated its centennial last year. According to the desert-inspired terminology used by Shrine groups, Menelik Court is in the “Oasis of Oakland” in the “Desert of California.”

The fez is made of white wool decorated with embroidery, multi-colored rhinestones, and a tassel. Many fezzes from the Imperial Court were similarly ornamented. In addition to the designs on the front, this fez has rhinestone-studded tassel holders on the side to keep its long black tassel in place. With this volume of rhinestones, ceremonial parades featuring Imperial Court Daughters had a certain sparkle to them. You can visit the links below for images of the group, including a photograph from the 1950s where five Menelik Court Daughters in their fezzes are shown being driven in a parade in Oakland. Their driver wears the fez of Menelik Temple No. 36, Menelik Court’s corresponding A.E.A.O.N.M.S chapter.

The fezzes worn by Imperial Court Daughters, A.E.A.O.N.M.S. Nobles, and other fraternal members came from regalia supply companies located all over the United States. The Menelik Court fez in our collection bears a tag on the inside that reads: "Styled By Cincinnati Regalia, 113 W. Fourth St. 4th FL, Cincinnati, OH 45202.” The Cincinnati Regalia Company (1895 - 1998) supplied costumes, accessories, and ritual items to Masonic and other fraternal groups, as well as uniforms and equipment to municipal and voluntary organizations.

This regalia maker was located at a number of different addresses along Fourth Street during its century of operations. The January 5, 1986 Cincinnati Enquirer ran an ad for an auction of “odds & ends from Cincinnati Regalia Co. relocating from 139 W. 4^th Street to 113 W. 4^th Street.” When the company folded in 1998, its final address was 113 W. 4^th Street, so it appears the company was located at that address from 1986-1998. This information from the tag helps date our fez to within those dozen years.

This stylish item helps the Scottish Rite Masonic Museum & Library tell a story of local African American organizations and national regalia supply companies. If you’d like to learn more about the Imperial Court, visit a post we published about a photograph of Daughters from Philadelphia. For more on this fez and the Scottish Rite Masonic Museum & Library’s African American fraternal material, you can dig into a recent article in The Northern Light.

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Further Reading:

• Fezzes from other Prince Hall Affiliated women's groups

• Menelik Court Daughters photos from Royal E. Towns Collection at Oakland Public Library:
  • Women wearing Menelik fez caps riding in convertible past Famous Coffee Shop
  • Four women wearing Menelik fez caps standing next to Oakland Mayor Clifford Rishell (1949–1961)

Clepsammia: Thief of Sand

Hourglass, ca. 1700. Italy. Gift of Mrs. Willis R. Michael, 85.108.20. Photograph by David Bohl.

As the remaining hours of 2022 run down, let’s investigate this unusual hourglass in the collection of the Scottish Rite Masonic Museum & Library. Called clepsammia, meaning thief of sand, sand hourglasses are an early method of keeping time. Devices using a fixed amount of sand to measure time were likely first developed in the 1300s, but the need for contained, reliable, and stable timekeeping on ships to aid with navigation helped popularize clepsammia during the Age of Sail (roughly 1650-1850).

Before the invention of the modern clock, hourglasses were used in churches to time sermons, in government offices to time speeches, and in factories to time work shifts. These useful items came in many types, materials, and sizes. A common form of hourglass was intended to measure one hour and was constructed of two glass bulbs, often set in a frame, that were joined with wax and cord.

Another kind of hourglass, used to mark the quarter hour, featured four horizontally-oriented glass bulbs. Each bulb contained either 15-, 30-, 45-, or 60-minutes’ worth of sand. As each ran out, the user could track quarter hours. The vertically-oriented hourglass held by the museum is an unusual form. The sand flows through two glass bulbs - one shaped into four equal chambers and another larger bulb. There seem to be only a few existing examples of this type of hourglass. One is in the collection at the Louvre.

The museum’s clepsammia was crafted in Italy, around 1700. The “sand” is actually powdered stone contained within the glass bulbs, fixed within a wooden frame covered with decorated paper. Compared to beach sand, which has angular edges, powdered stone flows smoothly through the apertures between bulbs. In one direction, the material moves from the largest bulb down, filling first one bulb, then the next in fifteen-minute intervals. When flipped over, the sand empties from each bulb, again in fifteen-minute intervals. This hourglass stands ten inches tall and, at over three hundred years old, is in good condition for its age.

This clepsammia is part of a collection of clocks, watches, tools, and books donated by Ruth Michael of York, Pennsylvania. Her gift of more than 140 items from the collection that she and her husband, Willis R. Michael, assembled over many years forms the core of the museum’s horological holdings. If you’d like to learn more about timepieces in the museum’s collection, you can see more examples in this Flickr album. You can also see this hourglass in action in the video below.

The Rainbow Apron, “. . . a sacred symbol that binds”

Miniature Rainbow Apron. 1925-1931. Gift of Audrey E. Martin, 2008.026.1.

Freemasons wear aprons – some simple in design, some very ornate – as a symbol of connection to the practical origins of the order and a visual emblem of membership. The collection of the Scottish Rite Masonic Museum & Library contains more than four hundred aprons, one of the largest collections of aprons in the United States.

The International Order of the Rainbow for Girls was founded in Macalester, Oklahoma one hundred years ago, in 1922. As an auxiliary body of Freemasonry, the organization draws much of its symbolism and ritual from Masonic sources. A perfect example of this is the miniature apron that a Rainbow girl is given at her initiation and wears on her wrist for certain organizational events. The connection is made explicit in the initiation ceremony, where the new Rainbow Girl is told, “It is a sacred symbol that binds. To your father, if he were a Mason, the lambskin apron was sacred, and though you may never fully know its meaning, it will be dear to you because he loved it, and to him it was priceless.”

These scaled-down versions of Masonic aprons retain the same shape, flap, and ties as their inspiration. They are made of white lambskin, as with Masonic aprons. Like many Master Mason aprons produced in the twentieth century, these miniature aprons featured blank lines under the flap where the owner could, as on this example, write her name, address, and the assembly to which she belonged.

The apron shown here once belonged to Ruby Vandergrift Duncan Kramer (1911-2007). Ruby was born in Belmont, Massachusetts on April 28, 1911. Her parents, Oscar and Gertrude, were from Nova Scotia. Ruby was named after a Canadian aunt who died of illness at age 22. Her parents also had another daughter, named Pearl.

Miniature Rainbow Apron. 1925-1931.  Gift of Audrey E. Martin, 2008.026.1.

Ruby was a member of Waltham Assembly No. 2 when she owned this miniature apron. Other examples of Rainbow aprons in the collection are from Massachusetts and Ohio and date from the 1950s, 1960s, and 1980s. Ruby’s apron dates from the early days of the Rainbow Girls in the 1920s.

Ruby lived at 34 Davis Road in Belmont for most of her life. She attended Boston University and graduated with a teaching degree in 1932. After teaching for one year, Ruby moved to a role as a clerk for the Belmont Electric Light Department, where she worked for forty-one years. She later married Howard Kramer, a Mason in Belmont Lodge from 1940 through 1970.

Ruby died in Belmont on October 11, 2007 at age 96. Her miniature apron survives as a tangible connection to her time in the International Order of the Rainbow for Girls in Massachusetts and to the Masonic fraternity.

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Further Reading:

• Blog posts about the International Order of the Rainbow for Girls
• Blog posts about Masonic aprons
• More Rainbow items in the museum's collection.

 

New to the Collection: Pyramid Court Daughters

Members of Pyramid Court No. 17, 1960s. Philadelphia, Pennsylvania. Scottish Rite Masonic Museum & Library, 2022.008.4.

In this photograph, new to the collection in 2022, a group of women wearing white dresses and either white fezzes or a crown poses for a photo with a man in a suit wearing a darker fez. This image features members of a women’s auxiliary group of Prince Hall Shriners, the Ancient Egyptian Arabic Order Nobles Mystic Shrine of North and South America and Its Jurisdictions, Inc. in Philadelphia in the 1960s. Historically Black fraternal groups in the United States have a fascinating history and objects like this photograph help us better understand it.

Based on organization proceedings and area newspapers, this photo appears to show members of Pyramid Court No. 17, Imperial Court Auxiliary, A.E.A.O.N.M.S., Philadelphia along with one member of Pyramid Temple No. 1, A.E.A.O.N.M.S., also of Philadelphia. The A.E.A.O.N.M.S. was founded in 1893 in Chicago as a charitable, benevolent, fraternal, and social organization, dedicated to the welfare and extension of Prince Hall Freemasonry. Its women’s auxiliary was founded in 1910 in Detroit. The latter group was established at the behest of a committee headed by Hannah Brown, Esther Wilson, and Lucy Blackburn, wives of Prince Hall Shriners from Maryland, Rhode Island, and Washington, D.C. These women and others had already created eight “courts” (similar to Shrine Temples or Masonic lodges) for female relatives of A.E.A.O.N.M.S. members. In 1909, they requested an official “Grand Court” to oversee the activities of the local groups.

This international organization, then known as the Imperial Grand Court of the Daughters of Isis, is now called the Imperial Court. The organization boasts more than nine thousand members that meet in more than two hundred courts throughout the United States, as well as Canada, Bahamas, U.S. Virgin Islands, Korea and Western Europe. Members are known as Daughters.

Their regalia includes ceremonial collars worn with white dresses, shoes, and gloves, along with white fezzes or crowns. Decorated with embroidery and/or rhinestones, these fezzes bear the name of the owner’s court and a profile of the Egyptian goddess Isis. When a Daughter serves as Imperial Commandress, the presiding officer of a court, she wears a crown in place of a fez. In this photograph, since a woman in the center of the group wears a crown, she was likely the Imperial Commandress of Pyramid Court No. 17 when the photo was taken.

In their analysis of African American fraternal groups over a period of around one hundred fifty years, social scientists Theda Skocpol and Jennifer Lynn Oser found that “black women played an unusually strong role in African American fraternal federations.” The Imperial Court is an excellent example of Black women leading fraternal groups. It exists because women who were already organizing local courts applied for official recognition from A.E.A.O.N.M.S. The auxiliary’s schedule of meetings, fundraising events, and annual sessions is very similar to that of the brother organization.

In the past and today, the women’s and men’s groups under the umbrella of the A.E.A.O.N.M.S. gather together at an annual joint session. Daughters of the Imperial Court Auxiliary and Nobles of A.E.A.O.N.M.S. work together at all levels to accomplish the charitable, social, and Masonic goals of Prince Hall Shriners.

If you know of or have any materials related to the A.E.A.O.N.M.S. or its women’s auxiliary, please let us know by writing in the comments section below.

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References and Further Reading:

• 84th annual Imperial council session of the Imperial Council of the ancient Egyptian Arabic order nobles of the mystic shrine (Miami Beach, FL: Ancient Egyptian Arabic Order Nobles of the Mystic Shrine, Inc., Daughters of Isis, Imperial Courts, 1977). Van Gorden-Williams Library & Archives.
• African American Freemasonry & Fraternalism collection. Van Gorden-Williams Library & Archives Digital Collections.
• Marshall Ganz, Ariane Liazos, Theda Skocpol. What a Mighty Power We Can be: African American Fraternal Groups and the Struggle for Racial Equality (New Jersey: Princeton University Press, 2006).
• Jennifer Lynn Oser, Theda Skocpol. Organization despite Adversity: The Origins and Development of African American Fraternal Associations. Social Science History 28, no. 3 (2004).
• Ymelda Rivera Laxton. Caesar Robert Blake, Imperial Potentate. 2020.
• Joseph A. Walkes. Ancient Egyptian Arabic Order Nobles of the Mystic Shrine, Inc. (Prince Hall Affiliated): A Pillar of Black society, 1893-1993 (Detroit: Ancient Egyptian Arabic Order Nobles of the Mystic Shrine of North and South American and Its Jurisdictions, Inc. (P.H.A.), 1993).

Temperance & Women's Suffrage

Founded in 1852, with a Grand Lodge of North America organized in 1855, the Independent Order of Good Templars (IOGT) was a total abstinence temperance organization. From its inception, the group accepted men and women equally as members. Women frequently held elected office within the organization. The temperance movement in the United States in the nineteenth and twentieth centuries - with much of its leadership and organization comprised of women - was also aligned with the women's suffrage movement, which led to the ratification of the 19th Amendment one hundred years ago this month.

Shown here is a recently digitized IOGT membership certificate from the Scottish Rite Masonic Museum & Library's collection. Issued in 1867, the certificate states that Helen Peck was admitted as a member of Temp Star Lodge, No. 146, of Hyde Park, Pennsylvania in 1866. 

This certificate is part of the Women and Freemasonry & Fraternalism collection at the Van Gorden-Williams Library & Archives Digital Collections website.

There are now over 800 items in the Van Gorden-Williams Library & Archives Digital Collections website. Be sure to visit and check them all out!

Caption:

Membership certificate issued by Temp Star Lodge, No. 146, to Helen Peck, 1867. Collection of the Scottish Rite Masonic Museum & Library, Lexington, Massachusetts. FR 007.

The Order of the Eastern Star at the Chicago World’s Fair

On August 18th, 1920, the United States Congress ratified the 19th amendment, guaranteeing women the right to vote. Throughout August, to commemorate the 100^th anniversary of this momentous occasion, Museum staff will highlight items from our collection related to women’s fraternal groups. Many of these groups offered not only a place of community for women but also a place to organize. A number of these groups were actively involved in the suffrage movement and had members who championed women's equality. We first feature this recently donated photograph from the 1893 Chicago World's Fair.

Order of Eastern Star Booth at Columbian Exposition, 1893. Lorraine J. Pitkin (1845-1922), Chicago, Illinois. Gift of Thomas Nelson, 2020.008. 

On May 1st, 1893, thousands of visitors streamed into the newly opened Columbian World Exposition at Jackson Park in Chicago, Illinois. This exposition, commonly referred to as the Chicago World’s Fair, celebrated the 400^th anniversary of Christopher Columbus’ (1451-1506) arrival in the Americas in 1492. Organizers built over 200 new structures and pavilions that spanned over 600 acres in the South Side of Chicago, including a “Woman’s Building,” designed by architect Sophia Hayden (1868-1953). The structure, created to showcase women artisans and highlight women’s achievements, was managed by an all-female board. A number of female associations were featured in the building, including the Women's Christian Temperance Union, Order of the Eastern Star, and Ladies Catholic Benevolent Association. 

Board member Lorraine J. Pitkin (1845-1922), a women's activist and high-ranking member of the Order of the Eastern Star (OES), a Masonic women's auxiliary group, advocated for this Eastern Star exhibit (pictured at left) to be displayed in the Woman’s Building. The photograph shows various Eastern Star charts, signets, and banners from over nine of the organization's chapters in the Upper Midwest.

Pitkin also participated in the World’s Congress of Representative Women on behalf of OES. The Congress, a week-long conference managed and attended by women as part of the World's Fair, included a day of programming devoted to the Eastern Star on May 16, 1893. Sessions from that day included "The Value of the Eastern Star as a Factor in Giving Women a Knowledge of Legislative Matters"  and "Eastern Star and the Benefit it Has Been to Women as an Educational Organization." Pitkin later served on the Board of Directors of the World's Fair Fraternal Building Association held in St. Louis, Missouri, in 1902. This photograph will be featured in our upcoming Flickr album about women and fraternalism. Stay tuned!

Have a favorite item related to women's suffrage or fraternalism at the World's Fair? Let us know in the comments below!

 

References

May Wright Sewall, ed., The World's Congress of Representative Women... (Chicago, IL: Rand McNally, 1894), 68-72.

Maude Howe Elliott, ed., Art And Handicraft in the Woman's Building of the World's Columbian Exposition Chicago, 1893 (Chicago and New York: Rand, McNally & Company, 1894), 180-185.