Watch

A Watch Paper Engraved by Abner Reed of East Windsor, Connecticut

2000_053D from slide
Watch Paper, ca. 1809-1820. Engraved by Abner Reed (1771-1866), East Windsor, Connecticut. Museum Purchase, 2000.053.

Adept at creating interesting images, engravers provided their clients with these images in multiples—engraved prints were an efficient way to communicate in the early 1800s.  Engravers cut and etched images onto copper plates. These plates could be used to print several hundred impressions before they started to wear out, allowing engravers to furnish their clients with everything from product labels to bill heads to trade cards.  All of these items helped their clients undertake business and advertise their work.

This small, round piece of paper decorated with engraving is a watch paper.  Little disks like this one served a few purposes.  Fit into the inside back cover of a watch case, the paper helped shield delicate works from dust or protected an inner case from rubbing against an outer case.  It also advertised a clockmaker or jeweler’s work.  As well, some clockmakers and watch owners used the backs of the papers as a handy spot to record the dates of watch repairs, cleanings and adjustments. 

On this watch paper, Eli Porter (1789-1864) listed his occupation and his address, Williamstown, in western Massachusetts, within a shield.  Masonic symbols—two columns topped with globes, a black and white mosaic floor, three steps and an all-seeing eye—surround the shield. In choosing to use these symbols to help advertise his work, Porter declared his status as a Mason. Though his name is not recorded in membership records at the Grand Lodge of Massachusetts, there was a Masonic lodge in Williamstown during the early part of Eli Porter’s career. Friendship Lodge operated in Williamstown from 1785 through 1828.

Born in East Hartford, Connecticut, Eli moved to Williamstown around 1806 to study clockmaking with his uncle, Daniel Porter (1775-1809). Like Eli, Daniel was native to East Hartford. Daniel learned his craft from clockmaker and silversmith Daniel Burnap ( 1759-1838) who lived nearby in East Windsor.  Daniel also met his wife, Polly Badger (1776-1859), in the same town.  Through his family members’ connection to East Windsor, Eli Porter may have known of or met Abner Reed, who engraved this watch paper.  Reed signed it: “A. Reed Sc. E. W.”  The “Sc.” indicates Reed engraved the paper;  “E. W.” is an abbreviation of East Windsor.  Not known to be a Freemason, Reed nevertheless did work for the Masonic community.  He engraved at least one certificate for a Connecticut lodge, as well as a Masonic apron.  With this charming watch paper, Reed further showed his familiarity with Masonic symbols. 

Reference:

David A. Sperling, “Eli Porter, Clockmaker of Williamstown, MA: His Town, His Life, His Clock,” NAWCC Watch & Clock Bulletin, November/December 2017, 547-555.


40th Anniversary: Masonic Symbols in Decorative Arts

Forty years ago, the Scottish Rite Mason86_32aDP2DBic Museum & Library published the book Masonic­­ Symbols in American Decorative Arts to accompany an exhibition on the topic. The book, written in 1976 by former museum curator Barbara Franco, highlighted and contextualized 146 American decorative arts objects with Masonic symbols. Decorative arts, often defined as the design and decoration of functional objects, include glassware, furniture, ceramics, textiles, basketry, and clocks. Artist's and craftsmen commonly incorporated Masonic symbols into their designs in the 1700s and 1800s; a period of rapid growth for American Masonic and fraternal organizations.

The Museum has acquired more Masonic decorative arts objects since 1976. Many of the artifacts featured in Franco's publication have been re-photographed and continue to be a part of our exhibitions. Two of these items are highlighted below and have recently been exhibited at the Scottish Rite Masonic Museum & Library.

This pocket watch is featured in our current exhibition “Keeping Time: Clockmakers and Collectors" open through 2017. The watch, designed and manufactured by the Dudley and Hamilton Watch Companies, was made in Lancaster, Pennsylvania, around 1925. William Wallace Dudley's (1851–1938) company produced distinctive watches with movement parts shaped like Masonic symbols. This particular watch includes a trowel, square and compasses, level, bible, and shoe.

85_20_1_1T1DB

This Worshipful Master’s Chair made around 1870 and marked by maker John Luker (b. 1838) was featured in the exhibition "‘Every Variety of Paintings for Lodges’: Decorated Furniture, Paintings and Ritual Objects from the Collection." You can find out more about the chair in this 2008 blog post.The chair is also currently included in the online exhibition of the same name, available here.

Find these objects and more in our new decorative arts album on Flickr! Like, share, and comment on objects you find on our Flickr page.

 

 

 

 

Captions:

Pocket Watch, ca. 1925, Dudley Watch Co. and Hamilton Watch Company, Lancaster, Pennsylvania, Gift of Hazel D. Hubley in memory of Bert H. Hubley, 86.32a-b. Photograph by David Bohl.

Masonic Worshipful Master's Chair, ca. 1870, John Luker, Vinton County, Ohio, Gift of the Estate of Charles V. Hagler, 85.20.1.1. Photograph by David Bohl.

Reference:

Barbara Franco, Masonic Symbols in American Decorative Arts, Lexington, Massachusetts: Scottish Rite Masonic Museum & Library, Inc., 1976.

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