The Northern Light

New to the Collection: Sparkling Fraternal Style

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Menelik Court No. 53 Fez. Cincinnati Regalia Company, Cincinnati, Ohio. Museum Purchase, 2022.067.

On the last day of Black History Month, we’re taking a look at a fascinating fez from an African American women’s order with an intriguing history.

The group, known as the Imperial Court, is an auxiliary to the Ancient Egyptian Arabic Members of the Nobles of the Mystic Shrine. The A.E.A.O.N.M.S., founded in 1893, is dedicated to the welfare and extension of Prince Hall Freemasonry. Its women’s auxiliary was founded in 1910 in Detroit, Michigan. The Imperial Court boasts more than nine thousand members in more than two hundred courts throughout the United States, as well as Canada, Bahamas, U.S. Virgin Islands, Korea, and Western Europe. According to the Imperial Court website, the group “recognizes and celebrates the historic and current achievement of African American women . . .”

Members are known as Daughters and their regalia includes ceremonial collars worn with white dresses, shoes, and gloves, along with white fezzes or crowns. A Daughter serving as the Court’s current Imperial Commandress, its highest office, wears a crown in lieu of a fez. Members’ fezzes bear the name and number of the owner’s court and a stylized profile view of the Egyptian goddess Isis. If the Daughter served as an Illustrious Commandress, her fez will bear the title Past Illustrious Commandress.

This fez was once owned by a member of Menelik Court No. 53, in Oakland, California. This court was founded in 1922, only a dozen years after the national organization was established. The court celebrated its centennial last year. According to the desert-inspired terminology used by Shrine groups, Menelik Court is in the “Oasis of Oakland” in the “Desert of California.”

The fez is made of white wool decorated with embroidery, multi-colored rhinestones, and a tassel. Many fezzes from the Imperial Court were similarly ornamented. In addition to the designs on the front, this fez has rhinestone-studded tassel holders on the side to keep its long black tassel in place. With this volume of rhinestones, ceremonial parades featuring Imperial Court Daughters had a certain sparkle to them. You can visit the links below for images of the group, including a photograph from the 1950s where five Menelik Court Daughters in their fezzes are shown being driven in a parade in Oakland. Their driver wears the fez of Menelik Temple No. 36, Menelik Court’s corresponding A.E.A.O.N.M.S chapter.

The fezzes worn by Imperial Court Daughters, A.E.A.O.N.M.S. Nobles, and other fraternal members came from regalia supply companies located all over the United States. The Menelik Court fez in our collection bears a tag on the inside that reads: "Styled By Cincinnati Regalia, 113 W. Fourth St. 4th FL, Cincinnati, OH 45202.” The Cincinnati Regalia Company (1895 - 1998) supplied costumes, accessories, and ritual items to Masonic and other fraternal groups, as well as uniforms and equipment to municipal and voluntary organizations.

This regalia maker was located at a number of different addresses along Fourth Street during its century of operations. The January 5, 1986 Cincinnati Enquirer ran an ad for an auction of “odds & ends from Cincinnati Regalia Co. relocating from 139 W. 4th Street to 113 W. 4th Street.” When the company folded in 1998, its final address was 113 W. 4th Street, so it appears the company was located at that address from 1986-1998. This information from the tag helps date our fez to within those dozen years.

This stylish item helps the Scottish Rite Masonic Museum & Library tell a story of local African American organizations and national regalia supply companies. If you’d like to learn more about the Imperial Court, visit a post we published about a photograph of Daughters from Philadelphia. For more on this fez and the Scottish Rite Masonic Museum & Library’s African American fraternal material, you can dig into a recent article in The Northern Light.

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Further Reading:


Memories of World War I

2000_059_8DP1As the Scottish Rite Masonic Museum & Library’s curator, I write a collections-related article for the quarterly publication of the Scottish Rite fraternity, The Northern Light.  This is a task that I enjoy very much and I can always tell when the issue is hitting mailboxes across the Northern Masonic Jurisdiction, since calls and emails start coming in response to my article.  However, I was somewhat unprepared for the large response to my most recent piece on World War I, which appeared in the February 2014 issue.

In commemoration of the beginning of the centennial of the war, I highlighted several World War I-era items from our collection, including this trench art lamp, which we previously showcased in a blog post.  The lamp was presented to Union Lodge No. 31 in New London, Connecticut, on December 25, 1922, by member Robert T. Woolsey (1893-1944).  In the past few weeks, since the magazine was mailed to members, I have received more than twelve phone calls, emails and letters.  Several respondents told me stories about their own family World War I souvenirs – including two similar lamps.

Another caller wanted to clarify the significance of the Statue of Liberty motif that is painted on a World War I helmet in our collection.  The helmet, which was originally worn by soldier Timothy Mahoney (b. 1889), is also painted with the identification of his unit – part of the 77th Division.  In the article I mentioned that the Statue of Liberty was a common helmet decoration, reminding soldiers of what they were fighting for.  However, in this case, as the caller reminded me, it had a more formal connection since the 77th Division was known as the “Statue of Liberty Division.”  The men had shoulder patches showing the statue inside a blue truncated triangle, much as it appears on the helmet. 80_29_1cDI1

Several other responders generously offered World War I material from their own family collections as a donation to the Museum.  So far we have received a trench telescope used by a British soldier, a Masonic “Welcome Home” badge from Excelsior Lodge No. 175 and several items of ephemera from a soldier who fought in the 315th Infantry, including a menu for a Masonic dinner that he attended in 1919.  We rely on donations in order to refine and improve our collection, so we are extremely grateful for these gifts.  We look forward to cataloging them and using them for future research and exhibitions.  If you have something that you would like to donate to our collection, see our staff contact page and get in touch!

Masonic Trench Art Lamp, 1918-1922, France or United States, Museum purchase, 2000.059.8.  Photograph by David Bohl.

World War I Helmet, 1918, United States, gift of Eva M. Mahoney, 80.29.1c. 


Another Mystery to Be Solved...

2009_022DP1 In 2009, the National Heritage Museum was given a fez for its collection. Normally, we consider the prospective gift of a fez very carefully, because we are fortunate to have an extensive collection of these regalia items and we try not to collect objects that duplicate our existing holdings. However, this fez was unusual. As you can see in the photo to the left, it is green and embroidered with a camel and the words “Caliphs of Bagdad.”

As I cataloged it in our computerized database, I did some research trying to determine what group might have used it originally. Unfortunately, I could not find any information about when or where it came from and the donor could only tell me that it was passed down in his wife’s family. So, in November 2009, I turned to the readers of The Northern Light, the quarterly magazine of the Scottish Rite Northern Masonic Jurisdiction, U.S.A., and asked for their help with identifying it.

I received a number of responses, including several that offered plausible leads. A reader from Springfield, Massachusetts, told me that the Association of Shrine Oriental Bands of North America has a subsidiary group of Past Presidents called the Caliphs, but admitted that he never saw a fez for that specific group. A man from New Jersey asked how I knew that this fez was Masonic. And, as I was quick to tell him, I do not know if this fez is Masonic.  It may well have been used by a non-Masonic fraternal group.

Indeed, several readers suggested that it might come from other groups. One mentioned the Phi Delta Kappa fraternity explaining that the group often tried to come up with new ideas to promote interest over the years and that this fez might be one of those ideas. A Pennsylvania reader called in to tell me about the Princes of Bagdad, a group associated with the Knights of Malta, but research into their logo did not turn up any similarities. And, a reader from Iowa suggested that perhaps the fez was associated with the fraternal group, the Order of Camels, which was founded in Milwaukee in 1920. If anyone knows of regalia from that group, I would love to hear about it or see a photograph.

Perhaps the most exciting response to my query was the arrival in the mail of a second green “Caliphs of Bagdad” fez! A reader from Pennsylvania had received the fez from a friend thirty years previously and generously decided to donate it to the Museum (while we try not to collect multiple copies of the same item, we often make an exception with textile items because it is helpful to have a second piece that can rotate into an exhibition and protect them both from overexposure to the lighting in the gallery). Unfortunately, like the donor of the first fez, this donor did not know where his friend had originally found the fez.

From my perspective, two of the leads I received were the most plausible. The first came from two different Northern Light readers, one from Michigan and one from Ohio, who called in and told me that they knew of green fezzes being awarded as honorary gifts in their respective communities. One man said that it was the Knights of Columbus that did this, while the other cited an example of a Shrine Temple doing the same. The second came from a reader in New Jersey who tracked down a newspaper account of the 1937 Shrine convention in Detroit, Michigan. That article, from the June 23, 1937, issue of The Detroit News reads “The Chicago unit, the largest delegation, was next with a pink and white striped group of caliphs drawing a golden sphinx and a live camel and a band of 110 musicians wearing white and green and flying yellow pennants…” A green and yellow fez seems like it might have been just the right headwear for this group.

What do you think? Have you ever seen a fez like this? Do you know when and where it was originally worn? Please let us know by leaving a comment below.

Fez, early 1900s, National Heritage Museum collection, gift of Stanley A. McCollough, 2009.022. Photograph by David Bohl.