Shriners

Now on View: From Head to Foot: Fraternal Regalia Illustrations

In the 1800s and 1900s selling regalia and costumes to fraternal groups became big business. Regalia companies seeking to attract customers produced richly illustrated catalogs and colorful advertising material to highlight the costumes and uniforms they manufactured. The artwork and advertising material in the Scottish Rite Masonic Museum & Library’s new exhibition, “From Head to Foot: Fraternal Regalia Illustrations,” were produced by the Cincinnati Regalia Company (1895-1998), of Cincinnati, Ohio, and the Ihling Bros. Everard Company (1869-1995), of Kalamazoo, Michigan. These regalia makers, along with others, produced uniforms, regalia, and accessories for Masons, Shriners, Elks, and additional fraternal groups. These items can help us better understand how companies marketed and sold fraternal regalia between 1900 and 1980.

98_041_138DS1 5 of 5The number of Americans who were members of fraternal groups grew to millions by the beginning of the 1900s. Regalia companies attempted to outfit this large consumer base with everything they needed, from head to foot, as advertised in this flyer. Ihling Bros. Everard Company offered many types of Shrine regalia to appeal to two national Shrine organizations, the Ancient Arabic Nobles of the Mystic Shrine, with 87,000 members by 1904, and the Ancient Egyptian Arabic Nobles of the Mystic Shrine, which had established more than sixty temples across the US by the start of World War I. Shrine organizations took inspiration from traditional Middle Eastern clothing for their ritual and regalia. That taste is illustrated in this flyer by the turban, wide-leg pants, and curved-toe shoes worn by the model.

98_0003_121DS1Some of the artwork displayed in this exhibition was created to be reproduced in catalogs. This illustration, for example, appeared in an Ihling Bros. Everard Company catalog, printed around 1970, that featured costumes and accessories for the Knights Templar. This group, part of the York Rite of Freemasonry, draws inspiration from the crusading knights of medieval Europe. This model is presented in a “Pilgrim Warrior” costume, which, in addition to a pointed helmet, a sword, and a cape, included a full suit of what Ihling Bros. Everard Company called “armor cloth.” This cloth was patterned to look like scale mail, protective metal clothing worn by medieval knights and soldiers. These catalogs, printed in black and white, featured a variety of items, including hats, shoulder braid, jackets, pants, robes, tights, and shoes. Catalogs were used by fraternal groups to order uniforms and regalia for their members to wear for meetings, ritual work, parades, and other activities.

88_42_156_6DS1Some of the colorful illustrations, like the one shown here from the Cincinnati Regalia Company, were sent to customers to present color and design variations to supplement the black and white images in catalogs. Regalia companies served both women’s and men’s organizations and produced catalogs specifically designed for women’s organizations which displayed the regalia and costumes of particular orders. Because of the distinct American flag-inspired design of this costume, it was likely created for a group with a patriotic agenda, such as the Daughters of America, a Junior Order of United American Mechanics women’s auxiliary.

These attractive advertisements offer insight into the vibrant regalia industry during the 1900s. This exhibition will be on view at the Scottish Rite Masonic Museum & Library until July 26, 2024.


Walter Weitzman: American Soldier and Freemason in the Panama Canal Zone

A2023_114_001DS1The Scottish Rite Masonic Museum & Library recently acquired a group of Masonic membership cards and certificates that help tell the story of American Freemasonry in the Panama Canal Zone during the era of American imperialism in the early twentieth century.

After the Spanish-American War in 1898, the United States became a global empire claiming dominion over Puerto Rico, Guam, Hawaii, and the Philippines, and continued to conquer additional territories into the early twentieth century. U.S. soldiers were shipped to these territories to maintain control and with them spread American Freemasonry. Walter Weitzman (1892-1989) was one of these soldiers, stationed in the U.S. Panama Canal Zone in 1914, to protect the newly opened Panama Canal which connects the Atlantic and Pacific Ocean. Weitzman, a Polish Jew who immigrated to the U.S. in 1909 or 1910, joined the U.S. Army at age twenty-two—several months before the start of World War I. He served in the Coastal Artillery Corps at Fort Randolph in the Panama Canal Zone until 1920.

Freemasonry was a part of the social lives of both the workers constructing the Panama Canal, as well as American soldiers stationed there. Masons in Panama saw Freemasonry as an integral part of life in the Panama Canal Zone. In 1910, the Masonic Advisory Board of the Isthmus of Panama declared that Masonic membership “permeates the entire personnel of this vast enterprise and beneath the sod of the Isthmus, many of our Brothers who have died in the service, are resting. The brethren meet one another from every clime, and as the great work continues, so let Brotherly [work] continue.”

Initially Masonic clubs flourished as it was difficult to form lodges because Masons in Panama continued to belong to lodges on the mainland during their temporary stay.  The first lodge, Sojourners Lodge, no. 874, was founded in 1874, under the Grand Lodge of Scotland. When the United States took over the Panama Canal, the membership became predominantly American and in 1912, a new Sojourners Lodge was chartered under the Grand Lodge of Massachusetts.

In 1917, the District Grand Lodge of Panama recorded membership at 902 with 141 new initiates and 78 applicants were rejected. Walter Weitzman, an American soldier, a Polish Jew newly immigrated to the United States, standing 5 feet and 4 ½ inches tall, with dark gray eyes and dark hair, was one of the new applicants. He was initiated into Sojourners Lodge on December 15, 1917. Weitzman paid an application fee of ten dollars in October and a forty-five dollar initiation fee in December—a significant amount, considering that his salary was around thirty dollars a month. Weitzman was raised a Master Mason on February 23, 1918.

After joining Sojourners Lodge, Weitzman became a Scottish Rite Mason in the Panama Canal Consistory No. 1 in the Valley of Cristobal in the Canal Zone. His dues were six dollars a year. Weitzman also became a Noble of the Mystic Shrine of the Abou Saad Temple on November 30, 1918. He was one of the first members as the Abou Saad Temple in Panama was established in 1918 and still exists today. A2023_114_001DS8

Weitzman was honorably discharged from the U.S. Army in 1920 after his regiment was disbanded. He continued to be a member of Sojourners Lodge and a part of the Panama Canal Consistory No. 1 until 1925. In New York, Weitzman became involved in other fraternal organizations such as the Independent Order of Odd Fellows where he was elected Noble Grand of the Norman A. Manning Lodge, No. 415, in Brooklyn, New York in 1927. His association with Freemasonry appears to have ended about a decade after he was discharged from the Army. According to the Grand Lodge of Massachusetts records, Weitzman was suspended on September 1, 1931, likely for not paying dues.

Weitzman lived in the Bronx, New York for several decades with his wife, Anna Lerman, and their two sons until his death on January 30, 1989. The Walter Weitzman Panama Canal Zone Masonic collection, 1917-1925, (A2023-114-001; MA 760.001) now resides at the Scottish Rite Masonic Museum & Library.

Photo captions:

Master Mason certificate issued to Walter Weitzman by Sojourners Lodge, 1918, Walter Weitzman Panama Canal Zone Masonic collection, 1917-1925, Museum Purchase, A2023-114-001.

Member card issued to Walter Weitzman by Abou Saad Temple, 1919, Walter Weitzman Panama Canal Zone Masonic collection, 1917-1925, Museum Purchase, A2023-114-001.

References:

W. Norman Benjamin Davison, The First Fifty Years of the District Grand Lodge of the Canal Zone A. F. & A. M., 1917-1967, (Balboa, Canal Zone: District Grand Lodge of the Canal Zone, 1967).

Masonic Advisory Board of the Isthmus of Panama, Master Masons Sojourning on Isthmus of Panama during American Occupation, 1910.

Irvin Beam Walter and John Layard Caldwell, Masons and Masonry on the Panama Canal: 1904-1914, (Philadelphia, PA: Thomson Printing Company).

L.L. Anchel, “In the Odd Fellows’ Corner,” Times Union, July 3, 1927.


A Shrine Beach Parade

2001_070_6DS1 cropped smallIn this photograph from the collection of the Scottish Rite Masonic Museum & Library, a line of men in bathing costumes and swim caps march across the beach in Atlantic City, New Jersey. This unusual sight was photographed on the morning of July 13, 1904, when the Ancient Arabic Order of Nobles of the Mystic Shrine hosted their annual meeting in the resort city.

This two-day event was the thirtieth annual gathering since the founding of the order in 1873. Thousands of Shriners and their families traveled to the Jersey shore and participated in a variety of activities and programs. According to the Annual Proceedings of the AAONMS, this session hosted 276 representatives from eighty-nine temples throughout the United States. During the meeting, the secretary of the group, called the Imperial Recorder, reported a net membership gain of 8,545 in 1904, and a total national membership of 87,727.

In addition to business meetings and evening parties, members of the AAONMS took part in an activity for which their group later became renowned–parades. The 1904 Annual Session, or meeting, opened with a parade that differed from the norm. A Shrine unit called the Arab Patrol, hailing from Moslem Temple in Detroit, Michigan, took part in a beach parade at 10:00 AM on Wednesday, July 13.

Accompanied by the first regiment band of Michigan and a bugle corps of twenty-nine men, they “marched from the Grand Atlantic Hotel in bathing suits to the beach between Young's Pier and the Steel Pier, and plunged into the ocean,” according to the Camden, New Jersey Morning Post. The front page of the local paper, the Atlantic City Daily Press, clarified that the men were dressed in “bathing suits, specially prepared for the occasion” and called the whole affair “one of the most unique and picturesque incidents of the gathering of the Shriners here.”

Camera operators of various sorts took advantage of the picturesque quality of the plunge. Alfred Camille Abadie (1878-1950) of Thomas Edison’s company Edison Films captured this beach parade on a 35mm motion picture camera. Per Edison’s September 1904 advertising circular, the 2.5-minute film showed “the entire body drilling on the beach and entering the surf” and could be purchased for $21.75.

This photo is one of two of this parade in the museum’s collection. Both are marked on the back: “Fred Hess, Photographer, 2506 Arctic Avenue, Atlantic City, NJ.” Hess (1858-1932) was a commercial photographer in Atlantic City from around 1893 until his death. Hess’ home studio was located about a mile from the spot where he took the beach parade photos.

This beach parade photograph–in addition to being a surprising and captivating image–depicts the details of a unique and intriguing event. It also provides information about Atlantic City, the AAONMS, and commercial photography and cinematography in the early 1900s.

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Further Reading:


New to the Collection: Sparkling Fraternal Style

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Menelik Court No. 53 Fez. Cincinnati Regalia Company, Cincinnati, Ohio. Museum Purchase, 2022.067.

On the last day of Black History Month, we’re taking a look at a fascinating fez from an African American women’s order with an intriguing history.

The group, known as the Imperial Court, is an auxiliary to the Ancient Egyptian Arabic Members of the Nobles of the Mystic Shrine. The A.E.A.O.N.M.S., founded in 1893, is dedicated to the welfare and extension of Prince Hall Freemasonry. Its women’s auxiliary was founded in 1910 in Detroit, Michigan. The Imperial Court boasts more than nine thousand members in more than two hundred courts throughout the United States, as well as Canada, Bahamas, U.S. Virgin Islands, Korea, and Western Europe. According to the Imperial Court website, the group “recognizes and celebrates the historic and current achievement of African American women . . .”

Members are known as Daughters and their regalia includes ceremonial collars worn with white dresses, shoes, and gloves, along with white fezzes or crowns. A Daughter serving as the Court’s current Imperial Commandress, its highest office, wears a crown in lieu of a fez. Members’ fezzes bear the name and number of the owner’s court and a stylized profile view of the Egyptian goddess Isis. If the Daughter served as an Illustrious Commandress, her fez will bear the title Past Illustrious Commandress.

This fez was once owned by a member of Menelik Court No. 53, in Oakland, California. This court was founded in 1922, only a dozen years after the national organization was established. The court celebrated its centennial last year. According to the desert-inspired terminology used by Shrine groups, Menelik Court is in the “Oasis of Oakland” in the “Desert of California.”

The fez is made of white wool decorated with embroidery, multi-colored rhinestones, and a tassel. Many fezzes from the Imperial Court were similarly ornamented. In addition to the designs on the front, this fez has rhinestone-studded tassel holders on the side to keep its long black tassel in place. With this volume of rhinestones, ceremonial parades featuring Imperial Court Daughters had a certain sparkle to them. You can visit the links below for images of the group, including a photograph from the 1950s where five Menelik Court Daughters in their fezzes are shown being driven in a parade in Oakland. Their driver wears the fez of Menelik Temple No. 36, Menelik Court’s corresponding A.E.A.O.N.M.S chapter.

The fezzes worn by Imperial Court Daughters, A.E.A.O.N.M.S. Nobles, and other fraternal members came from regalia supply companies located all over the United States. The Menelik Court fez in our collection bears a tag on the inside that reads: "Styled By Cincinnati Regalia, 113 W. Fourth St. 4th FL, Cincinnati, OH 45202.” The Cincinnati Regalia Company (1895 - 1998) supplied costumes, accessories, and ritual items to Masonic and other fraternal groups, as well as uniforms and equipment to municipal and voluntary organizations.

This regalia maker was located at a number of different addresses along Fourth Street during its century of operations. The January 5, 1986 Cincinnati Enquirer ran an ad for an auction of “odds & ends from Cincinnati Regalia Co. relocating from 139 W. 4th Street to 113 W. 4th Street.” When the company folded in 1998, its final address was 113 W. 4th Street, so it appears the company was located at that address from 1986-1998. This information from the tag helps date our fez to within those dozen years.

This stylish item helps the Scottish Rite Masonic Museum & Library tell a story of local African American organizations and national regalia supply companies. If you’d like to learn more about the Imperial Court, visit a post we published about a photograph of Daughters from Philadelphia. For more on this fez and the Scottish Rite Masonic Museum & Library’s African American fraternal material, you can dig into a recent article in The Northern Light.

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Further Reading:


New to the Collection: Pyramid Court Daughters

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Members of Pyramid Court No. 17, 1960s. Philadelphia, Pennsylvania. Scottish Rite Masonic Museum & Library, 2022.008.4.

In this photograph, new to the collection in 2022, a group of women wearing white dresses and either white fezzes or a crown poses for a photo with a man in a suit wearing a darker fez. This image features members of a women’s auxiliary group of Prince Hall Shriners, the Ancient Egyptian Arabic Order Nobles Mystic Shrine of North and South America and Its Jurisdictions, Inc. in Philadelphia in the 1960s. Historically Black fraternal groups in the United States have a fascinating history and objects like this photograph help us better understand it.

Based on organization proceedings and area newspapers, this photo appears to show members of Pyramid Court No. 17, Imperial Court Auxiliary, A.E.A.O.N.M.S., Philadelphia along with one member of Pyramid Temple No. 1, A.E.A.O.N.M.S., also of Philadelphia. The A.E.A.O.N.M.S. was founded in 1893 in Chicago as a charitable, benevolent, fraternal, and social organization, dedicated to the welfare and extension of Prince Hall Freemasonry. Its women’s auxiliary was founded in 1910 in Detroit. The latter group was established at the behest of a committee headed by Hannah Brown, Esther Wilson, and Lucy Blackburn, wives of Prince Hall Shriners from Maryland, Rhode Island, and Washington, D.C. These women and others had already created eight “courts” (similar to Shrine Temples or Masonic lodges) for female relatives of A.E.A.O.N.M.S. members. In 1909, they requested an official “Grand Court” to oversee the activities of the local groups.

This international organization, then known as the Imperial Grand Court of the Daughters of Isis, is now called the Imperial Court. The organization boasts more than nine thousand members that meet in more than two hundred courts throughout the United States, as well as Canada, Bahamas, U.S. Virgin Islands, Korea and Western Europe. Members are known as Daughters.

Their regalia includes ceremonial collars worn with white dresses, shoes, and gloves, along with white fezzes or crowns. Decorated with embroidery and/or rhinestones, these fezzes bear the name of the owner’s court and a profile of the Egyptian goddess Isis. When a Daughter serves as Imperial Commandress, the presiding officer of a court, she wears a crown in place of a fez. In this photograph, since a woman in the center of the group wears a crown, she was likely the Imperial Commandress of Pyramid Court No. 17 when the photo was taken.

In their analysis of African American fraternal groups over a period of around one hundred fifty years, social scientists Theda Skocpol and Jennifer Lynn Oser found that “black women played an unusually strong role in African American fraternal federations.” The Imperial Court is an excellent example of Black women leading fraternal groups. It exists because women who were already organizing local courts applied for official recognition from A.E.A.O.N.M.S. The auxiliary’s schedule of meetings, fundraising events, and annual sessions is very similar to that of the brother organization.

In the past and today, the women’s and men’s groups under the umbrella of the A.E.A.O.N.M.S. gather together at an annual joint session. Daughters of the Imperial Court Auxiliary and Nobles of A.E.A.O.N.M.S. work together at all levels to accomplish the charitable, social, and Masonic goals of Prince Hall Shriners.

If you know of or have any materials related to the A.E.A.O.N.M.S. or its women’s auxiliary, please let us know by writing in the comments section below.

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References and Further Reading:


A Family Affair

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Ralph and Elizabeth Schoenherr, 1953. New York. Gift of Florence E. Connor, 2020.023.3.

Sometimes the Scottish Rite Masonic Museum & Library receives donations that help to tell the story of an entire family’s history, complete with personal remembrances. Such is the case with the Schoenherr family of Schenectedy, New York, who had a long standing connection to Freemasonry. Since 2007, Florence E. Connor, daughter of Armin W. Schoenherr (1909-1949), has donated items related to these Masonic family connections. Armin L. Schoenherr (1880-1926), born in Germany, immigrated to New York at a young age and joined Corlaer Lodge No. 932 in Schenectady in the 1920s. His wife Emmy L. Canzan Schoenherr (1875-1954) was a member of the Order of the Eastern Star George Hope Chapter No. 271 and involved in the Order of Amaranth. They passed on their Masonic interests  to their three children, Armin W. (1909-1949), Ralph H. (1912-2002), and Florence Schoenherr Grubey (c. 1918-2004).

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Florence Margaret Schoenherr Grubey, 1994. Mary Lou Bentley, Louisville, Kentucky. Gift of Florence E. Connor, 2007.012.23.

Armin W., a Mason and Shriner, owned a local jewelry store that sold and repaired not only traditional jewels but fraternal pins and other material designed to appeal to Masonic consumers. His younger brother Ralph (pictured above with his wife Elizabeth) was a Mason for over fifty years and involved with the Royal Arch, Knights Templar, Shriners, and Jesters. He served as Potentate of Albany's Cyprus Shrine in 1959 and ran the Shrine circus for several years. Their sister Florence was a member of the Ladies Oriental Shrine of North America and is pictured at right with a fellow member in Louisville, Kentucky, in 1994.

Aside from donating a number of objects related to her father and brother's jewelry store, Florence most recently donated charm bracelets, one is pictured below, that belonged to Elizabeth Schoenherr, Ralph's wife, a member of the Order of the Eastern Star.

Florence shared some information about the family’s history and related this memory of her father, who passed away suddenly at the age of 43 in 1949, the same year he became a Shriner. She remembered the day he joined the Shrine as “one of his proudest days,” adding, “I remember the Shriners at the wake putting an apron in his coffin and having a service. It meant a lot to my mother (41 with 3 children, 8, 10 and 12). My mother continued the business...My brother (Armin, Jr.) later took over the store.” Armin Walter Schoenherr, Jr. (c.1941-1987) was also a member of Corlaer Lodge No. 92 in Schenectady. 

Do you have a Masonic family tradition to share? We want to know about it! Leave a comment below or email Ymelda Rivera Laxton, Assistant Curator, at ylaxton[@]srmml.org. 

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Bracelet worn by Elizabeth Schoenherr. United States. Gift of Florence E. Connor, 2020.023.1.
Armin jr
Armin Schoenherr, Jr. (back row, third from left) with other officers from Corlaer No. 932, 1967. "Corlaer Trestle Board "(Schenectady, NY), February, 1967.

New to the Collection: Native American Shriner Blankets

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Blanket with Shrine Symbol, 1921. Pendleton Woolen Mills, Pendleton, Oregon. Museum Purchase, 2018.001. Photograph by David Bohl.

In 2018, the Scottish Rite Masonic Museum & Library added to its collection two 1920s wool blankets with Native American-inspired patterns and Shriner emblems as their featured central design. One of these, pictured at left (and the reverse, below), was manufactured by Oregon’s Pendleton Woolen Mills. It bears a label reading “Copyright 1921.” At that time, in fact, blankets of this style enjoyed popularity in American culture.

From the late 1800s to the early 1900s—ending right around the Great Crash of 1929—a vogue for Native American goods held sway in the U.S., for art collectors and fashionable types all the way down to Americans of more modest means. Popular magazines touted domestic displays that ranged from just a few items, to entire rooms arrayed with Native American baskets, bowls, and blankets. Known as "Indian corners," these displays became a common feature in home design, with many of the goods used in them created specifically for the market by Native artists. Merchants and makers sold these goods in department stores, “Indian stores,” and other commercial outlets.

Blankets like this one—called trade blankets, since they were originally exchanged between Native Americans and European settlers—were among the most popular collectors’ items. Pendleton Woolen Mills was the first American company established solely for their manufacture. Although there were other mills that also produced this kind of blanket, Pendleton took the craft to a new level. This was thanks in part to its employment of loom artisan Joe Rawnsley (d. 1929). Rawnsley toured the West to work with Native populations in creating specific designs and color schemes inspired by different tribes’ traditions. He used the Jacquard process in which punched cards guided automatic looms to produce blankets of much greater variety and detail than previously possible.

But what about that Shriner emblem, with its familiar crescent and scimitar? Around the time of this blanket’s design copyright, the Shriners—and Freemasons in general—were growing in strength and number throughout the country. National membership in the Shrine had grown to approximately 500,000 by 1921. Possibly this blanket was created to attract the purchasing dollars of this Masonic group. Regardless of what prompted its creation, this blanket reflects the popular interest in both Native American objects and Freemasonry in the 1920s.

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Reverse, Blanket with Shrine Symbol, 1921. Pendleton Woolen Mills, Pendleton, Oregon. Museum Purchase, 2018.001. Photograph by David Bohl.

 

 

References:

Crazy Crow Trading Post, “American Indian Trade Blankets: The Rise of Pendleton Woolen Mills as the Primary Trade Blanket of Contemporary Native Americans,” https://www.crazycrow.com/site/rise-of-pendleton-native-american-trade-blankets/, (accessed Feb. 14, 2019).

The Henry Ford, “Sparking Innovation: The Jacquard Loom,” https://www.thehenryford.org/explore/blog/sparking-innovation-the-jacquard-loom/, (accessed Apr. 16, 2019).

Elizabeth Hutchinson, The Indian Craze: Primitivism, Modernism, and Transculturation in American Art, 1890-1915 (Durham and London: Duke University Press, 2009). 3, 11-13.

William D. Moore, Masonic Temples: Freemasonry, Ritual Architecture, and Masculine Archetypes (Knoxville: University of Tennessee Press, 2006). 106-7.

Pendleton, “Indian Trading Blanket History,” https://www.pendleton-usa.com/indian-trading-blanket-history.html, (accessed Feb. 14, 2019).

 


New Year's! Shriners! Football!

East West Shriner game cover 1948 - smallerSince 1925, the Shriners - one of the appendant orders in Freemasonry - have sponsored an annual all-star East-West Shrine football game. Two teams of senior-year football players, one comprised of players from colleges in the Eastern U.S. and the other with players from the West, meet in January to compete. Pictured here is the cover for the 1948 program for the game that was played on New Year's Day at San Francisco's Kezar Stadium (the first home stadium to both the San Francisco 49ers and the Oakland Raiders).

Cartoonist Wiley Smith (1906-1994) illustrated the 1948 cover in a whimsical style reminiscent of his “Football Follies” comic. The cover depicts two smiling football players representing the West and East teams, as well as a fez-wearing Shriner handing off the football to a young boy wearing a leg brace, who has tossed his crutch aside.

Shriners Hospitals started providing free care to children with neuromusculoskeletal disabilities in 1922 when they opened their first hospital in Shreveport, Louisiana. Starting in 1962 they expanded services to also treat children with burn injuries and then broadened their services again in 1978 to treat children with spinal cord injuries. The East-West Shrine Game is still around today and benefits the Shriners Hospitals for Children. Players from both teams visit a local Shriners hospital and meet with patients during the week leading up to the game.

Up until 1986, the East-West Shrine game was played on or around January 1. Because of the schedule of various Bowl games in early January, the date was moved up later, to take place after the bowl games are done. Up until 2005, the game was played in the San Francisco Bay area. In 2006, the game moved to Texas and then again in 2010 to Florida where it is played today. This year's game - the 94th - takes place on Saturday, January 19, at Tropicana Field in St. Petersburg, Florida.

But what about that 1948 game? The East won, 40-9. You can view the roster here

This program and one from the 1943 East-West game are on view in the Van Gorden-Williams Library & Archives reading room through June 1, 2019.

 

Caption:

Souvenir Program for Shriner’s East-West All-Star Football Game, 1948
Probably San Francisco, California
Museum Purchase, MA 110.003


In Keeping with the Holiday Spirit

In the spirit of the holiday season, the staff of the Scottish Rite Masonic Museum & Library would like to thank the readers of the museum’s official blog for their support and to wish all our patrons happy and healthy Holidays. In this last post for 2017, we would like to highlight this festive panoramic document from the collection, a 1924 Christmas program created by the Al Malaikah Temple Shriners of Los Angeles, California.  

[obverse panel 1] A2016_086_DS1

 

[obverse panel 3] A2016_086_DS3

[obverse panel 2]
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[obverse panel 4]
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[obverse panel 5] A2016_086_DS5

[reverse panels]
Panel 2

If you happen to be in the metro Boston area during the holidays, please consult our website for more information regarding the museum's current exhibitions, including a wonderful exhibition of World War I posters, which celebrates the one-hundredth anniversary of America’s entry into the First World War. If you cannot make it to Lexington during the busy holiday season, please explore the Library and Archives' Digital Collections or the Museum's online collections.


Captions

Christmas Ceremonial and Cornerstone Ceremony program, 1924. Collection of the Scottish Rite Masonic Museum and Library, MA 014.

 


The Shrine Circus

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The Ringling Bros. and Barnum & Bailey Circus will shut down “The Greatest Show on Earth” this May, after 146 years. In light of this upcoming closure, we wanted to highlight the history of another famous touring circus still active today, the Shrine Circus. On February 26, 1906, the Moslem Shrine Temple premiered the Mystic Shriners’ Yankee Circus in Egypt at the Light Guard Armory in Detroit, Michigan. The Shrine Circus, associated with Shriners International, also known as the Ancient Arabic Order of the Nobles of the Mystic Shrine, currently travels to over 120 cities in the United States. Different local Shrine Temples sponsor and host the circus in their respective communities. No two Shrine Circuses are the same and a circus can feature anywhere from one to forty performances.

This 1956 photograph shows performers from the Arabia Temple Shrine Circus in Houston, Texas. The circus features a variety of clown performances, acrobats, and trained performing animals, including elephants and tigers. Although we have not yet identified the performers pictured in the photograph, there is a good  chance that some members of the Arabia Clown Jewels, an officially recognized unit of "good-will ambassadors" within the Arabia Temple, participated in the circus. The art of clowning is a significant part of Shrine fraternal history and is intertwined with the Shrine parade and circus traditions. The Shrine Circus, sometimes called "The Circus with a Heart" is often a fundraiser, not only for the Shriner organization, but also for the hospitals and charitable organizations the Shrine supports. To learn more about the Shrine visit our previous blog posts here. To see this photograph and others related to the Shrine on a map visit us on HistoryPin.

Do you have memories of a Shrine Circus you attended? Were you or a family member involved in the Shrine Circus? Let us know in the comments section below. 

Caption:

Masonic Arabia Temple Shrine Circus, 1956. Ace Photographers, Houston, Texas. Museum Purchase through the generosity of Helen G. Deffenbaugh in memory of George S. Deffenbaugh, 2010.024.1.

References: 

John H. McConnell, Shrine Circus: A History of the Mystic Shriners' Yankee Circus in Egypt (Detroit, Michigan: Astley & Ricketts, 1998) 

 

 

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