"Protest & Promise: The American Revolution in Lexington"

“I give and bequeath unto the Church of Christ in Lexington:” Rachel Butterfield’s Silver Tankard

In April of 1778, a Massachusetts woman named Rachel Butterfield (1697-1779) made out her will. Born in Lexington in 1697, Butterfield later moved to Arlington, then Bridgewater. In her will, completed when she was eighty-one years old, she left 13 pounds 6 shillings 8 pence to the “church of Christ in Lexington” to purchase a silver tankard. This object is on loan to the Scottish Rite Masonic Museum & Library from Lexington’s First Parish, the successor to the church named in Butterfield’s will. The tankard is now on view in the museum’s newest exhibition, “Protest & Promise: The American Revolution in Lexington.”

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Tankard, 1779. William Homes (1716/1717-1785). Boston, Massachusetts. Loaned by First Parish in Lexington, Unitarian Universalist, Massachusetts, EL99.001.4. Photograph by Michael Cardinali.

After Butterfield’s death in May 1779, thirteen months after writing her will, her executor Simeon Leonard paid the money intended for this tankard to church administrators in Lexington. They then commissioned silversmith William Homes (1716/1717-1785) of Boston to create this object, the only  piece from the 1700s in First Parish’s collection given by a woman.

This collection came to the museum in 1999 and contains beakers from earlier in the 1700s than Butterfield’s. Some of these objects were in Lexington on April 19, 1775, when British troops swept through the town. Thanks to the forethought and preparation of women like Lydia Loring (1745-ca. 1845), the daughter of the church deacon in whose home the silver was stored, the valuable components of this collection were saved from potential theft or destruction. Four of these silver pieces are also on view in “Protest & Promise.”

In addition to the money for this tankard, Butterfield gave the church £50 in unrestricted funds and an additional £50 to the town of Lexington for the use of the school. In total, she bequeathed more than $25,000 in current value to her hometown. Between 1775 and 1783, Lexington’s taxpayers had to shoulder the extraordinary expenses of the Revolutionary War on top of regular operating expenses. Rachel Butterfield’s will, completed three years after the events that made her hometown famous, provided not only this lovely tankard, but also sustained support for the community where she used to live.


Dr. John Warren's Medical Trunk

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Trunk, 1770-1815. Loaned by the Grand Lodge of Masons in Massachusetts, GL2004.2055. Photograph by David Bohl.

This leather and wood trunk decorated with brass studs is thought to have belonged to Dr. John Warren (1753-1815) of Massachusetts. Its side handles and manageable size (11-7/8” x 13-1/2” x 24-1/2") made it both portable and practical. Through the service of its dynamic owner, this trunk may have seen military action during the American Revolutionary War.

Born in Roxbury, Massachusetts, Dr. John Warren was the younger brother of Dr. Joseph Warren, whose death at the Battle of Bunker Hill made him a martyr to the Patriot cause. John Warren studied medicine at Harvard, graduating in 1771. He became a surgeon with a militia regiment commanded by Colonel Timothy Pickering in 1772 and in that capacity, responded to the Battles of Lexington and Concord in April 1775.

In 1775, Warren was practicing medicine in Salem, Massachusetts. He traveled with his regiment to the various battles in which he was involved. Like many Massachusetts militia members who were called out for the Lexington Alarm, Warren remained in the Boston area into the month of May. Warren likely brought his own medical supplies with him when he traveled. He owned two amputation kits. Based on the dimensions of these amputation kits, both items could have been carried inside this trunk.

By June 1775, Warren had returned home to Salem and received news of the start of the Battle of Bunker Hill. He hurried down to Cambridge in the early hours of the following morning to treat wounded soldiers. At the same time, Warren fretted about his brother Joseph who had fought during the battle. At one point, Warren left the medical area in Cambridge and went to Bunker Hill to find his brother, asking any and all soldiers he encountered about Joseph’s whereabouts. One of these was a British sentry, and Warren received a bayonet wound to his side in response to his inquiry. Unfortunately, Joseph “fell on the field,” as John later wrote in his diary.

His fervor for the Patriot cause and his brother’s death motivated Warren. According to Sibley’s Harvard Graduates, “He enjoyed helping repulse the raid at Lechmere Point, and, case in hand [emphasis mine], took his post on Cobble Hill at night hoping for another Bunker Hill.” The “case” mentioned in this quote was likely a medical case, possibly this trunk. Cobble Hill was a colonist-fortified hill in Charlestown with an excellent view of Boston Harbor. Warren may have carried his medical supplies in this trunk during the early days of the Revolutionary War when the action was focused in Massachusetts.

It's also possible that Warren brought this trunk with him when the action moved away from Massachusetts. The nascent Continental Army struggled to provide uniforms, firearms, and other supplies to its soldiers. Warren’s medical tools and supplies would have been highly valued and were likely brought with him when he left for New York in May 1776, after the British evacuated from Boston.

Warren later served as Surgeon General of the army hospitals in Long Island, New York and Bethlehem, New Jersey in 1776. In the latter location, he – and possibly this trunk – saw action at the Battles of Trenton and Princeton. Warren also participated in the Rhode Island campaign in 1778, perhaps due to his 1777 marriage to Abigail Collins, the daughter of Rhode Island Governor John Collins.

Dr. John Warren was a knowledgeable and dedicated surgeon, who put his medical skills to use in service of the American cause. This trunk, both substantial enough to hold needed medical supplies and portable enough to carry into battle, is an apt symbol of his service.


John P. French's Masonic Powder Horn

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Masonic Powder Horn, 1750-1830. John P. French. Special Acquisitions Fund, 76.10

The Scottish Rite Masonic Museum & Library holds nearly two dozen powder horns in its collection. Some are from the era of the American Revolutionary War and bear carvings that reflect that use; some feature carvings of Masonic symbols. This unusual double powder horn is particularly intriguing because it exhibits both types of carvings.

Powder horns, made from animal horn (often cow or oxen), were used by soldiers in the field to keep gunpowder dry and secure. The holes at the tips of the horns were used to pour powder into a paper cartridge or directly into the barrel of a musket. Many were carved with designs that were meaningful specifically to the owner. The words “John P. French His Horn” are carved into the surface, identifying this horn’s owner. On this fascinating object, French showcased his Masonic affiliation, his interest in slogans, and possibly his personal hobbies.

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Masonic Powder Horn, 1750-1830. John P. French. Special Acquisitions Fund, 76.10

One of the slogans that appears on the horn is “Don’t Tread On Me” above a snake. This phrase was first used in South Carolina in 1775 by Christopher Gadsden, then-Lieutenant Governor of the state. It was inspired by Benjamin Franklin’s 1754 “Join or Die” political cartoon showing the colonies as pieces of a snake, indicating that union between the British colonies was necessary for survival. The slogan became well-known after it was used on naval flags during the Revolutionary War. Another phrase that adorns French’s horn is “Freedom and Victory.” While there is no one known usage of this slogan, the ideals align with the goals of the American Revolutionary War.

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Masonic Powder Horn, 1750-1830. John P. French. Special Acquisitions Fund, 76.10

The majority of the carvings on this double powder horn are connected to Freemasonry, perhaps a sign that the fraternity and its teachings held special meaning to French. The slogan “Cemented with Love” appears, which refers to the tight bonds that Masons encourage and enjoy with their brethren. In this apron in the museum’s collection, another Mason has chosen the same phrase to decorate his regalia.

Along with this Masonic slogan, French applied around two dozen symbols from the teachings of Freemasonry to his horn. Some symbols are common to all forms of Freemasonry, such as a trowel, a gavel, a coffin, a beehive, and two pillars called Boaz and Jachin. One is a stone archway often represented in Royal Arch Freemasonry, the first four degrees of the York Rite. This arch is topped by a figure identified as “Hiram.” Hiram Abiff is a significant character in Freemasonry’s third degree.

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Masonic Powder Horn, 1750-1830. John P. French. Special Acquisitions Fund, 76.10

In addition to symbols representing his political and Masonic interests, French also carved what appears to be a hunting scene, featuring a dog, a bird, a deer, a mountain lion, and a man holding a rifle. Perhaps these symbols reflect a pre-war activity.

Unfortunately, even with the helpful addition of a middle initial, the name “John French” was so common at the time of the Revolutionary War that we cannot establish the owner’s identity from military records. French appears to have been a member of the fraternity, but we cannot ascertain to which Masonic lodge he belonged. While we do not know where John P. French lived or very much about him, the symbols he chose to carve on his powder horn give us a sense of what he valued.


Heavy Impact: British Cannonball Fired in Lexington on April 19, 1775

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Cannonball (fired in retreat from Lexington), ca. 1775. Gift of Harvey B. Leggee, 75.34a.

Its surface is pitted and its usefulness long gone, but this six-pound iron ball tells an intriguing story of the first military battle of the Revolutionary War and its effect on the town of Lexington, Massachusetts.

According to an accompanying plaque, this cannonball was “fired in 1775 by ‘British regulars’ under command of Captain Earl Perry [sic] during their retreat from Lexington Green.” On April 19th of that year, the first battle of the Revolutionary War was fought in Lexington, now the home of the Scottish Rite Masonic Museum & Library.

Tensions had been high between Massachusetts citizens and the British government–represented by its royal troops–since the soldiers had landed in Boston in 1769. This friction had already led to such events as the 1769 Lexington Spinning Protest, the 1770 Boston Massacre, and the 1773 Lexington Tea Burning and Boston Tea Party.

These tensions and other events led to an armed conflict between Lexington’s Training Band and British troops on April 19, 1775. A contingent of British soldiers headquartered in Boston were deployed on an overnight mission to retrieve stolen cannon and ammunition hidden in Concord. After a short engagement at dawn in which eight Lexington men were killed and ten wounded, the British troops continued to Concord where they found themselves in a pitched battle at the Old North Bridge with militia members from Concord and surrounding towns. Eventually, the order to retreat was given and the British soldiers began a long and harrowing march back to Boston.

Local militias reengaged British troops many times along the route back–now called “Battle Road"–but the fighting took a different tone as the troops marched back through Lexington. By this time, relief troops from Boston had positioned two six-pound cannon at a rise east of the town center to provide covering fire for the soldiers on foot.

This bombardment led to cannonballs smashing through both the Lexington meetinghouse on the Green and one of the houses west of the Green on Harrington Road. According to SRMML’s records, the museum's cannonball was excavated in 1956–181 years after the battle–by local Mason Harold L. Worth (1909-1993) from the “south side of Merriam Hill.” This ball was found within the range of the British cannon that day. The location of the find supports the message on the cannonball’s plaque–that it was fired by British soldiers.

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Cannonball (fired in retreat from Lexington), ca. 1775. Gift of Harvey B. Leggee, 75.34a.

To confirm this information, SRMML staff measured the cannonball. The British were using six-pound field pieces that day and a six-pound cannonball is usually around 3.58 inches in diameter. As you can see on the right, this cannonball is 3.52 inches, which is within the expected range for historical examples. Using historical accounts, maps, and munitions specifications, we feel confident that this cannonball was fired during the conflict between Massachusetts citizens and British soldiers.

The cannon and troops are long gone, but the town of Lexington is still deeply tied to the events of April 19, 1775. Its landscape and people were profoundly marked by the attack. Evidence of that impact remains in the military detritus left behind. It is also on display in the reenactments and commemorations of the battle held annually in Lexington. See the links below for more Revolutionary War items in the museum’s collection!

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More Revolutionary War items at SRMML: