The Electrified Signet
New Acquisition Highlights Masonic Political Resistance to the Anti-Masonic Period in Vermont

New to the Collection: Masonic Collar Box

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Collar Box, late 1800s-early 1900s. Museum Purchase, 2017.012. Photograph by David Bohl.

Recently the Scottish Rite Masonic Museum & Library purchased a wooden box decorated with inlay for the collection (illustrated at the left).  This three-part round box was designed for a particular purpose—storing collars and collar studs.

Householders favored round and oval boxes made of wood for storing kitchen and pantry items throughout the 1800s.  Makers designed boxes in different sizes for all kinds of supplies including meal, sugar, cheese, butter and herbs. This box probably dates from the late 1800s.  Its manufacturer employed the same materials and techniques utilized in making round household boxes in earlier decades.  These boxes typically had sturdy wooden tops and bottoms with sides constructed out of thin pieces of strong, pliable wood shaped on a mold.  Box tops sometimes bore labels or were decorated with paint or carving.

In the mid-1800s, a new style of men’s shirt began to take hold—shirts worn with detachable white collars.  This innovation allowed men to wear a fresh, starched collar without the expense or labor of someone laundering an entire shirt.  By the 1890s specialized manufacturers produced millions of linen and cotton collars, as well as celluloid and disposable paper collars for men.  Manufacturers often sold collars in decorated cardboard boxes advertising their brand.    

This small round box (just over 5 inches high and 7 inches in diameter) was designed to store collars.  Two interlocking trays allowed the owner to separate different kinds of collars.  A small drawer cleverly fit into the side of

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Collar Box, late 1800s-early 1900s. Museum Purchase, 2017.012. Photograph by David Bohl.

the box (illustrated at the right) provided a convenient place for keeping track of the small collar studs which secured collars to shirts.   An inlay design on the top of the box featured a square and compasses with the letter G—a symbol of Freemasonry—which suggests that this box once belonged to a well-dressed Mason.   

 

 

Reference:

Nina Fletcher Little, Neat and Tidy:  Boxes and Their Contents Used in Early American Households (New York: E. P. Dutton, 1980), 150-161.

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