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An Unfinished Apron

2008_058DP1 Kensett Apron As we may have mentioned in previous blog posts, we are very proud of our fraternal apron collection here at the National Heritage Museum.  We have over 400 aprons, which span the centuries and the world.  And, while we can afford to be selective about adding to this collection, we often get excited by many aprons that enter the market.  The apron shown here, which is a recent acquisition, provoked enthusiasm – it was never finished, so it offers fascinating insight into the apron-making process.

This silk apron is printed with an engraving by Thomas Kensett (1786-1829).  Kensett was born in England and emigrated to America, settling in New Haven, Connecticut, by 1806.  In 1812, he entered into a partnership in the map and print publishing firm, Shelton and Kensett, in Cheshire, Connecticut.  Indeed, we have an engraving in the collection printed by Shelton and Kensett titled American Star that depicts George Washington, Thomas Jefferson, James Madison and John Adams (see below).  Around the time that Kensett partnered with Shelton, he joined Temple Lodge No. 16 in Cheshire.  His apron design seems to have been popular – we have another example of it in our collection – as well as a third that uses Kensett’s design but was engraved by Samuel D. Bettle (d. 1833) of Wilkes-Barre, Pennsylvania (shown at bottom).83_50_14DI1 American Star

We know that aprons were generally printed before they were hemmed and finished, but this example has the flap basted along the top.  One of our initial questions, then, was whether it was printed before the flap was basted onto the body or after.  Careful examination tells us that the flap was attached before it was printed.  The edges of the engraving plate are visible on the flap and line up with the portion of the design on the apron’s body.  In addition, some of the detail of the tops of the clouds printed on the body extend onto the flap. 

77_24DI1 Bettle Apron cropped The apron has one selvage edge – along the left side – where the threads were woven more tightly together.  The other three edges remain raw.  They would have been folded under and hemmed, then finished with ribbon trimming.  The selvage edge, too, would have been turned under and hemmed.  And, of course, ties (probably made from ribbon) would have been added to the top corners. 

If you have a Kensett apron – or any Masonic apron in some state of partial construction - we’d love to hear about it in a comment here.

Top: Unfinished Masonic apron, ca. 1812, Thomas Kensett (1786-1829), Cheshire, Connecticut, National Heritage Museum collection, Museum Purchase, 2008.058.  Photograph by David Bohl.

Middle: American Star, 1812, Thomas Gimbrede, engraver, Shelton and Kensett, printers, Cheshire, Connecticut, National Heritage Museum collection, Dr. William L. and Mary B. Guyton Collection, 83.50.14. 

Bottom: Masonic apron, 1823, Samuel D. Bettle (d. 1833), Wilkes-Barre, Pennsylvania, National Heritage Museum collection, Special Acquisitions Fund, 77.24.


Aimee E Newell

Hi Dave! So nice to hear from you. Thanks so much for posting a comment. I'm glad that you enjoyed the Kensett post. I would love to see a picture of the colored one - since ours is just the black and white version. Thanks again! Aimee Newell

Dave Lettelier

Hi Aimee! This is David at Phoenixmasonry. I just finished reading your article on the Unfinished Apron and enjoyed it very much! When I was the curator of the Florida Masonic Museum at the Masonic Home in St. Petersburg we had in our collections a Kensett apron and it was finished and colored beautifully! I had this apron framed and on full-time display! I have a picture of it and if you would like a copy please let me know?

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